"Poetry" Show Notes and Credits

Image Credits

Click here for full information on the images used in this video, as well as links to the creators of the images and the license details.


See here for the basic linguistic sources used for this and other videos.

Sources used in this video:

M.H. Abrams & Geoffrey Galt Harpham, A Glossary of Literary Terms (Wadsworth, 2009)

Gordon Graham, Philosophy of the Arts (Routledge, 1997)

Samuel Willard Crompton, Emanuel Swedenborg (Chelsea House, 2005)

Paul Guyer, “The Origins of Modern Aesthetics: 1711-35” in The Blackwell Guide to Aesthetics, Peter Kivy, ed. (Blackwell, 2004)

Danielle Coriale “Reading through Deafness: Francis Galton and the Strange Science of Psychophysics” in Strange Science: Investigating the Limits of Knowledge in the Victorian Age, Lara Karpenko & Shalyn Claggett, eds. (U of Michigan P, 2017)

Robert F. Gleckner, “Blake and the Senses”, Studies in Romanticism 5.1 (1965): 1-15

Jason David Hall, “Materializing Meter: Physiology, Psychology, Prosody”, Victorian Poetry 49.2 (2011): 179-197.

June E. Downey, “Synesthesia”, The Journal of Philosophy, Psychology and Scientific Methods 9.18 (1912): 490-498.

Reuven Tsur, “Synaesthesia as a Neuropsychological and Literary Phenomenon”, Style 41.1 (2007): 30-52.

Charles G. Gross “Emanuel Swedenborg: A Neuroscientist Before His Time”, The Neuroscientist 3.2 (1997): 142-147.

Robert J. Yanal, “Aristotle’s Definition of Poetry”, Noûs 16.4 (1982): 499-525.

Angus Armstrong, “Aristotle’s Theory of Poetry”, Greece & Rome 10.30 (1941): 120-125.






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